SilverMoonTea

@ssteph@bairamaLF pretty relaxing watch. But my complaint is not enough of RJY haha.... The aesthetic so pretty. They like to cook & fried flower, and all the vegetables looked so fresh. Bai, I'm thinking to move to village

Blessed our eyes !

I was planning to binge watching this Rain God oppa , but I heard its only once a week? Wah it must be left deep impression, since you adopt him so fast ?

I have to say JJS is more smoking hot in this photoshoot of Hit & Run @bairama@LaLa

This long hair for a guy kind of trend now? 😅😂 I guess pandemic style? Not going to barber for sometimes? @mademoiselle@bairamaI felt Yang Yang recent hair cut not too nice. * Oppa Hair is damn important for the overall oppa appearance 😆

JTBC IG Update

@DhakraMuji also selling this CD player. But I found with the price, it's not worth it. No bluetooth function also.

Goodbye Cut The sympathetic enthusiasm of the actors continues until the end. On the 21st, the production team of JTBC's 10th anniversary special project 'Disqualification of Humanity' (directed by Heo Jin-ho, Park Hong-soo, written by Kim Ji-hye), with only two episodes left, released the behind-the-scenes footage of the actors who led favorable reviews for their passionate performances with different depths of empathy. Actors who delivered heartbreaking but warm comfort through special stories of ordinary people. Expectations are focused on the final story they will unfold. In the last episode, the longing for Jung-jeong (Jeon Do-yeon) and Kang-jae (Ryu Jun-yeol) deepened. After a dreamlike night, the two broke up and returned to their daily lives. Jung-eun confessed plagiarism to A-ran (Park Ji-young), whom she met at Gina (Lee Se-na)'s hospital, and expressed her long-standing hatred. In the midst of a fierce crisis, Jeong and Kang Jae reunited. The hard-hidden feelings burst out with one word, “I missed you,” and confirmed each other’s sincerity with a hot kiss. 'Disqualification for Humanity' touched the hearts of viewers with deep emotions every time. In the midst of their lives, they suddenly realize that 'there is nothing', and they move toward the light in their own darkness, and it is even more touching because they resemble our reality. The passionate performances of actors Jeon Do-yeon and Ryu Jun-yeol are the driving force that adds depth of empathy. “People cannot know just by looking at them. If you look closely at any person for a long time, the size of hatred will decrease, your understanding will broaden, and sometimes you may find yourself in that person.” . The warm and strong team chemistry of the team in the behind-the-scenes release ahead of the end catches the eye. Jeon Do-yeon solved the injustice that embraced the indescribable pain of loss with a large-scale acting, and Ryu Jun-yeol led to favorable reviews by expressing in detail the complicated inner life of Kang Jae, who was wandering in danger. Above all, the synergy between the two actors, who gradually began to seep in and completed the change of injustice and Kang-jae, who fell into a whirlpool of uncontrollable emotions, shone. Denial and Kangjae understand and recognize each other without speaking. The two people who finally confirmed their feelings for each other are curious about what kind of aftermath the kiss will bring. Park Byung-eun and Kim Hyo-jin's friendly two-shot also draws attention. The unfaithful husband, Jung Soo (Park Byung-eun), has been unable to cut off a long-standing relationship with her first love, Kyung-eun (Kim Hyo-jin). The two people who have maintained an ambiguous relationship between love and friendship with a heart that has not been erased even for 15 years. Park Byeong-eun and Kim Hyo-jin formed another important axis by solidifying the narrative of complex emotions. Park In-hwan and Shin Shin-ae captivated viewers with their inner skills that come from their age. Chang-sook (Park In-hwan)'s lines, who caress the heart of her daughter's negligence, stimulated tears, and Min-ja (Shin Shin-ae)'s clumsy but sincere heart toward her son Jeong-su was gently moved. Park Ji-young, who showed a synergy of acting with Jeon Do-yeon, also shone. In the play, Aran created tension by setting up a sharp angle of confrontation with injustice. Now, attention is focused on how the charter of the two people, who have grabbed each other's secrets one by one, will change. In addition, Yang Dong-geun and Jo Eun-ji, who radiate a natural vibe even during filming breaks, and Son Na-eun and Yoo Soo-bin, who draw a V (V) towards the camera, convey the friendly atmosphere of the scene and make people smile. The production team said, "Please do not miss the last story to see what changes will come to those who are entangled with injustice, Kangjae, and their own stories." Cr. Naver, google translate

HAJIN – My Home (Lost OST Part 4) popgasa 2 weeks ago The lonely face That remains in my left hand Makes me wait for the end of a long day Every season where the stars are usually present On this street alone When I call out your name I wonder how it feels I’ll remember that heart as well I didn’t know anything When we loved each other so much Now I finally know That this street that we always walked on Is my home On this street alone When I call out your name I wonder how it feels I’ll take this heart as well I didn’t know anything When you loved me so much The street with the many stars That secretly embraced my soft heart Is my home I didn’t know anything When we loved each other so much Now I finally know That this street where I looked back at myself Is my home

I also have my fair share in losing oppa. First was Park Yoo Chun. Quite shocked, he have pretty good images and looks polite. Then you know Kang Ji Hwan ( this one I devastated, floored ). I never take lightly fangirl dissapointment because of this experience. The thing it's quite difficult to separate their personal life and their work. If the deal too shady, it's difficult to see them in the same light again. Hence all this oppa should kept their dark side to themself 😅 Best if they really have good personality. Tbh I think very few of them can be trusted. But they're there to sell dream to us anyway, so well... demand & supply.

RJY appreciation by Korean Minister for effort to prevent suicide : (2017) DMZ visit with President Moon Jae In : (2019) Cr. Source.

I'm watching movie Money (2019), your darling Kim Jae Young is there @abs-oluteM. But just supporting role. @bairamaThis is quite good. Love him in expensive suite. Tho his character as shaddy as hell

Haha I think I was asked by snow to open Iksong. This not my original ship. My ori ship is the 2 piggies you know 😅 @im0202wink. Along the way I found WG mistery is deepening in S1, so I steer my wheel there. Once they kiss, I'm done 😂. Btw forgot to ask so what happen in Hawaii liao... haha. If there is S3 I might not watching it. Unless there is some interesting storm that can managed to get my attention

@TofuThe CG a bit over the top. Are they a Pokemon ? So many electricity charge... haha... And the costume and hair styling idk how I feel about it.

How beautiful!

Rating ep 1 - 9.4%

Preview Ep 2

Screen International Rising Star Asia 2019 recipient Ryu Jun-yeol talks stockbroker thriller 'Money' BY JEREMY KAY8 JULY 2019 Popular South Korean actor Ryu Jun-yeol received the Screen International Rising Star Asia Award at the New York Asian Film Festival 2019 on Saturday (6) and talks to Jeremy Kay about his latest film, Money. Ryu, who goes by the name Anthony in the west, plays an ambitious young stockbroker in Seoul who falls in with a Machiavellian broker in his bid to become rich. The actor, who counts Tottenham Hotspur star striker Son Heung-min among his friends and is a keen football fan, has built up a large following in his native country ever since he starred in Socialphobia and the TV series The Reply. He talks about the similarities between his life and that of Cho in Money, milestone roles, and his desire to branch out. The New York Asian Film Festival runs until July 14. What drew you to the role in Money? I really empathised with the character. As an actor we have a responsibility to empathise with the character as well as the audience. I’ve been through what he’s been through in his life so I was confident I’d be able to play him as a real and detailed person and offer an intimate portrait of the character. I’m a person whose lived a fairly ordinary life and through my acting career I’ve had the chance to make money, and in that process I’ve gone through a lot of reflection and worries about how to approach this change in my lifestyle. What was it like working with first-time director Park Noo-ri? I would describe it as one of the most intended experiences I’ve had on set. Because she had an independent film background we were both focused on making it the film we wanted to make it into. We had a lot of conversations about the characters and the filming on and off set in the film a lot of people were sitting down but the reality was the making of this film was a very intense one. What does Money have to say about the disparity between the haves and have-nots? The disparity in wealth is a worldwide phenomenon. The sad reality is when people talk of dreams it’s no longer what people are interested in or what people think could be fun. It usually comes done to how much money will I make from this. A lot of people get involved in stockbroking just from the idea that it’s easy to make a whole lot of money with minimal effort, so that phenomenon is also a bit worrisome to me. What research did you undertake for the role? When I portray a character I tend to try not to go the typical route, so in terms of this film, when you see a character who makes a lot of money you usually see that character try to accumulate a lot of new things and discard what they already have. I wanted to focus on the changes that happen to the existing relationships he already had, rather than focus on the material side of the equation. For example you can see the changes in his close relationships, especially with his family and his long-term girlfriend. I did go to securities companies, but that wasn’t the point: the point was the changes in these relationships. You have played a range of roles from innocent boy-next-door to drug lords. What do you look for in a character? Rather than zooming in on the characters I zoom in on the project as a whole. My standard is, ‘Do I want to see this in theatres?’ Money was a film I really empathised with and it’s a film that reflects the time, and that is the artist’s responsibility so that was a reason as well. What have been the milestone projects in your career thus far? Socialphobia was my first feature and I acted really freely in that and I may change my mind tomorrow, but I will say it was the project that enabled me to get into the TV drama The Reply, so it’s a cornerstone. The Reply was a big commercial success as well, but Socialphobia was a milestone. Would you like to work in English-language film? Before jumping into the TV and film world I was really immersed in Hollywood films and that was my passion before I got involved in the greatness of Korean cinema. Because my first love as Hollywood films I would love to have the opportunity to work in English-language films. What are you doing next? It’s The Battle: Roar To Victory, which depicts the (19th century) first battle against the Japanese while Korea was under Japanese colonial rule. Because it deals with the first triumph for Korea I hope viewers will come away feeling good. It will come out in theatres this August.